The Mikado, (a co-production with Scottish Opera) 2016

Our co-production of The Mikado, 2016, with Scottish Opera, is now touring nationwide…

Tickets can be booked at: Scottish Opera – Mikado page

The Mikado 2016 Production Photographs
(All Photographs Copyright: James Glossop)

Andrew Shore, Ben McAteer and Richard Suart in The Mikado. Scottish Opera and D’Oyly Carte 2016. Credit James Glossop.

Andrew Shore as Pooh-Bah, Ben McAteer as Pish-Tush and Richard Suart as Ko-Ko, 2016

Richard Suart as Ko-Ko and Stephen Richardson as The Mikado. Scottish Opera and D’Oyly Carte 2016. Credit James Glossop.

Richard Suart as Ko-Ko and Stephen Richardson as The Mikado of Japan, 2016

The Chorus of The Mikado. Scottish Opera and D'Oyly Carte 2016. Credit James Glossop.

The Ladies Chorus, Act I, 2016

Rebecca Bottone as Yum-Yum and Nicholas Sharratt as Nanki-Poo in The Mikado. Scottish Opera and D’Oyly Carte 2016. Credit James Glossop.

Rebecca Bottone as Yum-Yum, and Nicholas Sharrat as Nanki-Poo, 2016

Ben McAteer as Pish-Tush, 2016

Rebecca de Pont Davies as Katisha in The Mikado. Scottish Opera and D'Oyly Carte 2016. Credit James Glossop.

Rebecca de Pont Davies as Katisha, 2016

Rebecca Bottone as Yum-Yum and Nicholas Sharrat as Nanki-Poo, 2016

Richard Suart as Ko-Ko & Andrew Shore as Pooh-Bah

Richard Suart as Ko-Ko and Andrew Shore as Pooh-Bah, 2016

Richard Suart as Ko-Ko, and the Gentlemen’s Chorus, 2016

Richard Suart as Ko-Ko, 2016

Emma Kerr as Peep-Bo, and The Chorus of The Mikado

Emma Kerr as Peep-Bo, 2016

Sioned Gwen Davies as Pitti-Sing, and The Chorus of The Mikado

Sioned Gwen Davies as Pitti-Sing, 2016

Nicholas Sharratt as Nanki-Poo, 2016

Rebecca Bottone as Yum-Yum, 2016

Savoy Theatre, Strand, London

Gilbert sat in his study. On the wall hung a large Japanese executioner’s sword. There was an unmistakable feeling for all things Japanese in the air. Thirty years earlier the Queen had sent the Emperor of Japan a warship as a present from the British people. The Japanese were given permission to travel outside of their own country. A display of Japanese arts and crafts at the International Exhibition of 1862 in London inspired a vogue for Japanese design.

When the Japanese sword fell from Gilbert’s wall it suggested to him the outline for an entirely new opera, and he wrote to Sullivan to suggest the idea. When the rehearsals for the opera began there was already a Japanese village on exhibition at Knightsbridge.

Never slow to take an opportunity when it offered itself, a male dancer and Geisha girl were hired to coach the company as to the correct oriental manner and makeup.

The Mikado opened at the Savoy on 14th March 1885, when the curtain rose to reveal the town of Titipu, ‘like an enormous Japanese fan’. To paraphrase the innumerable critics ‘The Mikado’ was ‘frank’, ‘ palpable’, ‘magnificent’ and an ‘unbounded success’. So much so that one critic was moved to exclaim, ‘Sir Arthur Sullivan’s and Mr. W.S. Gilbert’s new Japanese opera, The Mikado, is subject to one disadvantage, and only one – the difficulty of getting sight of it. Such is the anxiety of the public to witness it, that, though the theatre were twice as large as it is, it would not suffice for the accommodation of all comers’

The Mikado ran at the Savoy until 19th January 1887.

Photographs from previous productions…