The Merry Widow

Following three previous collaborations with Scottish Opera, starting in 2012, we took the decision to co-produce a non-G&S opera, and what better than one of the most popular European operettas, Lehar's The Merry Widow. This followed several other European operettas which D'Oyly Carte produced in the 1990's (Die Fledermaus, Orpheus in the Underworld, La Vie Parisienne and The Count of Luxembourg), all of which received critical acclaim and positive feedback. The Merry Widow marks the first of our non-G&S collaborations with Scottish Opera, and for the first time a collaboration with Opera Holland Park in London where the opera played a very successful season in the open air venue on one of the warmest weeks of the year.

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Overview

Director John Savournin and designer takis took the brave decision to update The Merry Widow to Manhattan in New York and Sicily in Italy in the 1950's.This gave a wonderful opportunity to feature the beautiful gowns of that decade and the power plays of the Sicilian mafiosi. John Savournin, together with collaborator David Eaton, updated the libretto and opened up the possibilites of much comic mirth in this wonderful three act operetta.

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Background

The Merry Widow was originally set in the diplomatic world of embassy parties and the Parisian world of cabaret at the Café de Paris. This production updated the action from the early 1900's to the 1950's and transported us from an Act One in Don Zeta's ritzy New York apartment, to Hanna's Sicilian opulent lemon grove in Act Two, and back to New York's Café de Paris (yes, there was one) for the final act.

Cast

In the title role, Paula Sides dazzled as Hanna, the widow, and she was equally matched by Alex Otterburn as her Danillo. Henry Waddington gave a spirited Don Zeta, and Rhian Lois and Willian Morgan shared hilarious farcical scenes in the second act lemon grove in Sicily.

'This mid-century Merry Widow is enormously enjoyable.

'Scottish Opera serves up a beautiful production with a dash of The Sopranos'

'A mafia rewrite hits the target'

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